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Tip | Stream “modern” horror films

The start of the last decade was marked by a strong creative crisis in the horror film market, which invested in many franchise sequences whose first chapter worked, but never managed to deliver the same. level of quality in the suites. Betting on easy scares and this idea of ​​franchises, several bombs have arrived around bringing the same style of terror – or attempt at terror.

However, with the growth of the “rivalry” between producers Blumhouse and A24, the latter part of the last decade began to bring new productions with different styles of horror, daring and offering innovative and incredible productions. In today’s suggestion, we’ve separated five of the most talked about horror movies from the past few years and indicate which streaming platform you can check them out on.

Middle – Evil Does Not Wait For Night (Amazon Prime Video)

this horror is very different from most, as it has very few dark scenes, uses and abuses colors, and works a lot with the power of suggestion, letting the viewer imagine what might happen there. The plot tells the story of a couple in crisis after the young girl (Florence Pugh) lost her sister and her parents in a strange situation. Traumatized, she leans on her boyfriend, who was already thinking about ending the relationship, but ends up “pushing the situation with her stomach” out of pity. When the boy decides to go to Sweden with his friends to study a communal solstice festival, the young woman ends up being the subject of debate. After a conversation, she ends up joining the group, unlike most of her friends. When they arrive in the village, they are in contact with drugs and other foreign guests who will share with them the experience of the town for the next few days. The problem is, the traditions of this Swedish community are strange, involving murders, magical rituals, and even rape. Soon the group of friends disappears, leaving a very uncomfortable atmosphere in the air.

In addition to working the art direction with incredible visuals, strong colors and scenes of pure psychedelia, the film has moments of gore and works on a very interesting question: what is the acceptable limit between “cultural differences” and weird? Based on that premise, Ari Aster raises the level of the terrible things that are happening even further and the group accepts it.

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The Witch (Globoplay)

Sold as the movie that freaked out Stephen King, The Witch is a movie that doesn’t have jumpscare or the classic jumping fears of a sudden volume increase, but invests in creating a tense atmosphere of doubt. which is brutal. In the plot, a peasant family loses their baby to a witch in the midst of a major family and financial crisis. As time goes on and various weird situations arise, they begin to suspect that their eldest daughter (Anya Taylor-Joy) is a witch. Playing with the public’s uncertainty as to whether the girl was simply being judged by the overwhelming reality of the time or if she was actually involved in the supernatural, the film is an incredible psychological horror.

Sacrifice of the Sacred Deer (Amazon Prime Video)

Extremely strange and uncomfortable, this film by Greek Yorgos Lanthimos is a classic Greek tragedy about an Ohio surgeon who lost a patient about three years ago. Feeling guilty, he begins to meet the son of man and begins to relax in his drink. The couple develop a good relationship until the doctor invites them to visit the family home, introducing his wife and children.

However, the discomfort is great and the intimacy of the two begins to disturb. So, this fixation of the boy with the surgeon begins to bring terrible situations to the family home, like his widowed mother, investing in the married doctor and mysterious cases of paralysis affecting the boy’s children. Yorgos builds the film from this unease and the series of absurdities that this relationship brings. The decor is sordid, as is the character of the characters in the face of quirks. It’s a subtle horror that reflects troubled aspects of society and may not appeal to everyone, but it’s impressive.

Hereditary (HBO Max)

Considered one of the scariest films of recent years, Hereditary shows that family secrets don’t always come with a hidden legacy. In this story, the matriarch of an ordinary family engages in satanic cults and offers her own family to bring back an ancient demon. When she dies, sinister things start to happen, making the children’s and grandchildren’s home a living hell. As the plot progresses, common issues mingle with demonic chaos, plunging the members into a deep supernatural depression. The story also comes to play with the possibility that everything is just a very boring situation of a struggling family, but it soon becomes impossible not to embrace the supernatural of the situation. With a characterization as absurd as the standard of performance and a confident staging that extracts the maximum amount of annoyance and horror, Hereditary is a masterpiece of modern horror.

The Lighthouse (Amazon Prime Video)

Set in the late 19th century, this black-and-white psychological horror gained a lot of attention in 2019 for its eccentricity and features very similar to those used in silent film classics. The plot tells the story of Thomas (Willem Dafoe), the owner of the lighthouse that gives the film its name, whose habits involve alcoholism and locks himself naked in the lighthouse. He begins to socialize with a mysterious young man named Ephraim (Robert Pattinson), who has a dark past. Together on this island, the two need to understand each other. However, they seem to be heading for insanity, in a handful of psychological dread that uses visual language to create a completely uncomfortable and terrifying atmosphere.

The fact that there are few characters on the stage only reinforces the sense of closure and lack of perspective of two men who don’t know if they have love or hate for each other. ‘other. It is an eschatological, tense and frightening film.

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